| ACROSS |
| 4 |
|
Best not to do this on Bolero.
|
| 5 |
|
Fold like ______-lounge.
|
| 7 |
|
Don't look at them.
|
| 8 |
|
His chorales are worth the wait.
|
| 9 |
|
Use this on the Rhenish? Maybe not.
|
| 10 |
|
_______-blockers
|
| 12 |
|
Let's hope you don't hear chuckling behind this.
|
| 16 |
|
Like it or not, they'll be on the committee
|
| 17 |
|
Hanging from some necks.
|
| 18 |
|
La Gazza ________.
|
| 20 |
|
Don't drag the triplets on his third.
|
| 21 |
|
Definition of an optimist: A free-lance trombonist with a ________.
|
|
|
| DOWN |
| 1 |
|
The steeds want a triplet, not a duplet.
|
| 2 |
|
Bad ______ sends most packin'
|
| 3 |
|
Someone's sure to be tapping this when you play.
|
| 4 |
|
You hope to make the second one.
|
| 6 |
|
"Also" it would be nice to pop the D's
|
| 8 |
|
If you do this, the committee won't have this.
|
| 10 |
|
"Just tongue and ______."
|
| 11 |
|
His 3 pieces are not for the faint-hearted.
|
| 13 |
|
"This audition is _______!"
|
| 14 |
|
Heard coming from many a warm-up room.
|
| 15 |
|
Don't end St. Saens 3rd with this.
|
| 19 |
|
Never, never be this.
|
|
